Silver $29.01 Gold $2596.60 Platinum $922.00 Palladium $901.00 Copper $0.26 Active: 306
logo
close

Learning Center

Our information archive for Collectors, Appraisers and Researchers helps guide you to a knowledge of what you have and how to appraise. Spend some time here, learn about your antiques and collectibles and what they are worth.

search close
search

How do I make a proper list of my comic book collection?

In order to make a sight-unseen offer for your old comic books, a comic book buyer needs to know certain key information. YOU SHOULD INCLUDE THIS INFO IN YOUR INITIAL LIST! If you are new to comic book selling, building the list yourself can be a chore, but this article covers the main points and hopefully makes it a bit easier. Before you start off trying to sell your old comic books, you should make an inventory list. It will be the first thing any comic book collector will ask for.

IMPORTANT: YOU SHOULD INCLUDE THE FOLLOWING INFO IN YOUR LIST!

TITLE

Always on the front cover; example: AMAZING SPIDER-MAN)

ISSUE NUMBER

Always on the front cover or in the tiny print at bottom of first page; example: #175

ISSUE DATE

Always on the first page or inside front cover; example: June, 1947 issue)

CONDITION

Used, torn, like new, VG, NM etc., just a best guess, even if you only say USED or LIKE NEW

Making the grade: How do I grade the condition of my comic books? Free grading guide.

Comic books, like coins, stamps, sports cards, movie posters, and everything else that people collect, are valued according to condition. Because human beings prize things that glitter, the more like new the object is, the more collectors will pay for it. Seems simple enough, right? WRONG! Since arguing about grade actually means negotiating price, buyers and sellers often have a hard time agreeing on grade. Fortunately there are standard terms everyone agrees on (what those terms mean is another story). Sadly, it takes years looking at thousands of variances of grade before you can truly become an expert grader. So how do you know what grade a comic book is in if you are new at making the grade? Let me suggest that you start simple and then focus on the final grade.

First let's look at some general terms that wecan use to describe the condition, then we'll cover some specialized terms that dealers and collectors use.

PERFECT


We all know what this is, it's a book in brand new condition. When you go to the newsstand and pick the best copy you can find, that's probably a PERFECT, like-new comic book (unless it's mangled on the newsstand). The term for a comic book in perfect condition is MINT. Although some dealers will try to convince you that 30 or 40 year old comics aren't graded as strictly as new comics, I wouldn't believe it if I were you. When it comes to MINT, mint is mint, period.

ABOVE AVERAGE


If someone bought a comic, read it once or twice, and then carefully filed it away, it is in ABOVE AVERAGE condition. We refer to comics in above average condition as VERY FINE (abbreviated VF).

AVERAGE


The term collectors use to describe a comic in AVERAGE condition is VERY GOOD (or VG for short). Since comics are supposed to be read and handled, books that have been read and handled are in average condition. Creased corners, little tears, stuff that you could expect from normal use is common in a VG condition book.

BELOW AVERAGE


Comics that you owned when you were six years old are probably in BELOW AVERAGE condition because you probably beat the @@#$!! out of them. And they look it! The comic is still complete with all pages but the cover might be loose or a piece might be missing from the corner. You know what I mean...ROUGH ROUGH! Collectors describe comics in below average condition as GOOD. Actually, there's nothing good about it other than the fact that you have a copy to keep until a better one comes along.

POOR


Better known by the technical term "swillage" first coined by Steve Geppi. A book that looks like it was rescued from the trash is in POOR condition. You know you have handled a poor condition book when you rush to wash your hands afterwards.

Now that you know the five basic ranges of condition a comic book can be in, it's much easier to focus in on exactly what the real grade is. Try it yourself. Take a stack of your comics and grade them. Is the first one in the stack just like the day you bought it except for a tiny bend in the corner? Then it's not MINT, but you could certainly say it's ABOVE AVERAGE. Put it in the VF stack. Does the next one in the stack look read and re-read? Put it in the VG stack. Continue sorting the books in basic grades. When you are done, refer to the following grading descriptions. You can focus in on the actual grade by reading these fine-tuning grading descriptions. The one that sounds the closest to the grade of your book is the actual grade.

These are the terms comic book collectors use to describe condition. At conventions and your local comic book store you will see these grades and grade-codes used to indicate grade. Memorize them, learn what they mean, and then you can start making the right grade.

GRADING DEFINITIONS & TERMS


Comic book collectors have widely accepted a 10-point system for describing the grade of a comic book.

GEM MINT 10.0

Perfect. A very rare grade, even for brand new comics.

MINT 9.9

An almost perfect 9.9 on a 1-10 scale. A flawless copy in the same condition as the day it was printed. The MINT grade is practically non-existent in pre-1970 comics. Golden age comics in MINT condition are an extremely rare find and fetch huge premiums over average copies of the same comic. When grading a comic mint, no consideration should be given to the age of the book. No printing defects can appear on a MINT comic. The cover should have full original gloss, and appear bright, with sharp corners and no imperfections of any sort. Minute color variations may occur during printing, and are allowed in the MINT classification. The inside covers and all pages are creamy white and fresh. The binding (spine) is tight, flat, and clean without wear or stress lines. Not the slightest blemish can be detected around staples, along the binding and edges, or at corners. Arrival dates penciled (not inked) on the cover are usually acceptable as long as they are very small. When the surfaces of the front and back covers are held to the light, not the slightest wear, indentations, wrinkles or defects of any kind can be observed. As comics must be truly perfect to be in this grade, they are obviously extremely scarce and are seldom offered for sale.

NEAR MINT/MINT (NM/M 9.8)

Approaching the MINT range but with a very slight blemish of some sort.

NM+ 9.6

Top of the NM range.

NEAR MINT (NM 9.4)

9.4 on a 1-10 scale. A copy that is virtually MINT but for one or two very tiny imperfections. For example, a tiny (1/16th inch) edge tear is allowable in this category if no other imperfections are present. A very few tiny stress lines along the spine could be present. Pages and covers should be creamy to white, not yellow or brown. No color touch-ups, repair or restoration of any kind is allowed in this grade. This grade is very rare in books prior to 1970.

NM- 9.2

Bottom of the NM range.

VERY FINE/NEAR MINT (VF/NM 9.0)

9 on a 1-10 scale. Beautiful, glossy and excellent in every way with one minor imperfection keeping it out of the higher grades. One tiny corner crease of less that 1/8th inch length is allowed. A couple of tiny (1/16th inch) stress lines along the spine are acceptable if the appearance of the book is not gravely affected. Pages should be creamy white, not yellowed or tan. A common defect in this grade is a tiny spine tear at the upper or lower binding (spine) not greater then 1/16th of an inch in length. One or two tiny tears (1/16th inch) are permitted in this grade if the copy is otherwise flawless. An extremely tiny tear repair, color touch-up, unobtrusive arrival date erasure or other similar invisible alteration, on an otherwise near mint copy, is permitted in this grade.

VF+ 8.5

Top of the VF range.

VERY FINE (VF 8.0)

8 on a 1-10 scale. Superb. An outstanding copy in an unusual state of preservation. Clean and bright with sharp corners and pliant interior paper. Slight cover wear is present; possibly 5 or 6 tiny wrinkles or stress lines at the staples where the cover has been opened a few times; still clean and flat with 80 percent of cover gloss retained. Interior page quality should be creamy to white, not yellowish or brown. A few tiny color chips or imperfections could be present. A faint 1/4" corner crease on an otherwise exceptional copy could be present in this grade. Very minor professional restoration or repair is permitted in this grade if noted and described.

VF- 7.5


Bottom of the VF range.

FINE/VERY FINE (F/VF 7.0)

7 on a 1-10 scale. Above average. A clean, bright copy lacking the crispness associated with Very Fine. Pages can be slightly yellowed, not brown or brittle. Several tiny stress lines along the spine and cover can be expected. Several tiny color flakes are permitted. No subscription creases or spine roll allowed in this grade. Corners may be slightly rounded. Exceptional cover gloss remains (60 percent or more).

FN+ 6.5

Top of the FINE range.

FINE (FN 6.0)

6 on a 1-10 scale. Slightly better-than-average copy with obvious aging and diminishment, but still relatively flat, clean and glossy without subscription creases, writing on the cover (except possibly an arrival date), brown margins or tape repairs. Typical flaws include: light spine wear, minor surface wear, a light crease (1/4" in length), minor yellowing/tanning to interior pages. Still a bright copy with 50 per cent cover gloss. A few stress lines around the staples and along the spine are normal in this grade, but not more than 1/8" in length. One small edge chip or several tiny chips (such as Marvel chips) are permitted in this grade. One minor tear is allowed on an otherwise FVF copy. A very minor spine roll on an otherwise clean and uncreased copy is permitted in this grade.

F- 5.5

Bottom of the FINE range.

VERY GOOD/FINE (VG/F 5.0)

5 on a 1-10 scale. Better than VG+, approaching FINE but not quite sharp enough to merit the higher grade. Frequently, a FINE copy with an unusual flaw is lowered to VG/F.

VG+ 4.5

Top of the VG range. Slightly below a VG/F copy.

VERY GOOD (VG 4.0)

4 on a 1-10 scale. Average. Ordinary signs of use. Used, but not abused. The common state of preservation of a comic book that has been used as intended. Significant diminishment of original cover glossiness. Noticeable discoloration or fading could be present. One or two minor markings on covers is permitted. Minor spine rolling may have occurred. Lightly creased along extremities; a faint subscription crease is allowed. The covers could have a minor tear or crease where a corner was folded under. The centerfold could be detached or loose from the staples. A small chip or piece from the covers, or a small piece from an interior page that does not affect the live area (artwork area), is acceptable. Pages and inside covers could be tannish or yellowed, but not brittle. A small tape repair could be present in this grade. Still, the appearance of the comic is such that many collectors find the book acceptable until a better copy can be located.

VG- 3.5

Bottom of the VG range.

GOOD/VERY GOOD (G/VG 3.0)

3 on a 1-10 scale. Approaching VERY GOOD but with too many signs of abuse to be a solid VERY GOOD. G/VG and G+ represent a very slight variation in grade.

G+ 2.5

Top of the GOOD range.

GOOD (G 2.0)

2 on a 1-10 scale. Below average. A worn copy but complete with all pages including centerfold, which may or may not be loose. Creased, scuffed, covers lack gloss, faded. Pages could be brown and brittle. Although a copy in this grade could have white pages and covers, the accumulation of defects such as creases, tears, or chips and general wear prevent this book from any higher classification.
G- 1.8 Bottom of the GOOD range.

FR/G 1.5

Approaching GOOD, with too much wear to be a solid GOOD.

FR+ 1.25

Heavily worn but approaching the good classification.

FAIR (FR 1.0)

0.5 on a 1-10 scale. Used and abused. Extremely worn, creased, and dirty, with possibly loose pages or significant tears, but still complete. Possibly small pieces missing from the cover, inked markings, tape, etc.

POOR (PR .5)

0 on a 1-10 scale. A terrible copy. Damaged; extremely worn; dirty or otherwise unsuited for collection purposes. Pages could be missing. Could be coverless if noted.

What are the ten most valuable comic books?

One aspect of comic books that often surprises folks is their monetary value. Yes, beyond the action-packed narratives and vibrant illustrations lies a realm where comic books are more than just reading material—they're treasures, some with price tags that can make your eyes pop!

The hobby of comic book collecting is an exciting adventure into a vibrant market, particularly for those special vintage editions. It's a world where nostalgia meets investment, where the thrill of the hunt can sometimes lead to finding a real gem. These aren't just pieces of paper bound together; they're pieces of history, of art, and for some, a seriously valuable investment.

The Ten Most Valuable Comic Books

  • Action Comics #1 - The debut of Superman and arguably the birth of the superhero genre. Valued at over $3 million for copies in top condition.
  • Detective Comics #27 - Introducing Batman, the dark knight of Gotham. Copies have sold for over $2 million.
  • Amazing Fantasy #15 - The first appearance of Spider-Man, swinging into the hearts of fans and fetching around $1 million at auctions.
  • X-Men #1 - The introduction of the X-Men, a team of mutants fighting for peace and equality. Valued at up to $500,000.
  • Batman #1 - The first solo Batman comic, introducing iconic characters like Joker and Catwoman. Can be worth around $500,000.
  • All-American Comics #16 - The first appearance of Green Lantern, shining a light on values up to $200,000.
  • Marvel Comics #1 - The beginning of Marvel Comics, introducing characters like Human Torch and Namor. Values can reach up to $500,000.
  • Tales of Suspense #39 - The debut of Iron Man, valued at around $375,000 for pristine copies.
  • Captain America Comics #1 - The first appearance of Captain America, punching his way up to $343,000.
  • Flash Comics #1 - Introducing Flash and Hawkman, with values sprinting to $450,000.

Market Dynamics

The comic book market is a fascinating ecosystem, driven by the forces of supply and demand, rarity, condition, and the ever-changing winds of pop culture. It's a place where a comic book's value can skyrocket overnight because of a movie announcement or sink due to oversupply. Understanding these dynamics can help collectors navigate the market more effectively, making smarter decisions about when to hold onto a piece and when it might be the perfect time to sell.

Remember, not all comic books are destined to fetch six or seven figures. The value of comic books can vary widely, with many factors influencing their worth. It's the stories of these top-valued comics that capture our imaginations, but it's the rarity, condition, and cultural significance that really pump up their prices.

Learn More About Comic Book Prices

If you're bitten by the collecting bug and want to know more about the value of your comic books, or if you're just curious about what treasures might be hidden in your attic, iGuide’s comic book price guide is the place to start. It's a treasure trove of pricing information for rare comic books and their current values, helping you learn more about this exciting and potentially lucrative hobby.

Key Comic Books: Is Amazing Fantasy 15 really worth $3 million?

Amazing Fantasy #15 is highly significant in the world of comics for several key reasons:

1. First Appearance of Spider-Man

This issue, published in August 1962 by Marvel Comics, marked the first appearance of Peter Parker as Spider-Man. Created by Stan Lee and Steve Ditko, Spider-Man has become one of the most iconic and enduring superheroes in comic book history.

2. Origin Story

It introduces Spider-Man's origin story where Peter Parker, a high school student, is bitten by a radioactive spider during a school field trip, granting him superhuman abilities. This issue lays down the foundational elements of Spider-Man's character, including his powers, costume, and the famous motto, "With great power comes great responsibility," although in this issue, the phrase is slightly different: "With great power there must also come great responsibility."

3. Cultural Impact

Spider-Man's introduction in this comic has had a profound impact on popular culture. The character has appeared in numerous comic books, television shows, movies, video games, and other media, becoming a cultural icon.

4. Market Value

Due to its historical significance, Amazing Fantasy #15 is among the most valuable comic books. High-grade copies have been sold for millions of dollars at auctions. For instance, a CGC 9.6 copy sold for $3.6 million in 2021, setting a record for the highest price ever paid for a comic book at that time, though this record has since been surpassed by other comics like Action Comics #1.

5. Artistic Contribution

The issue is notable for its artwork by Steve Ditko, who co-created Spider-Man with Stan Lee. Ditko's unique art style played a significant role in defining the character's look and the feel of his adventures.

6. Influence on the Superhero Genre

Spider-Man's introduction in Amazing Fantasy #15 helped to diversify the superhero genre by presenting a hero with everyday problems, making him relatable to a broader audience. This approach influenced subsequent superhero narratives, emphasizing personal and societal challenges alongside superhuman feats.

The importance of Amazing Fantasy #15 lies not just in its historical first appearance of Spider-Man but also in its lasting impact on comic books, superhero storytelling, and popular culture at large.

Does it pay to get my rare comic book professionally graded?

In the world of comic book collecting, the authenticity and condition of vintage comics are paramount, impacting their value significantly. Mainstream comic book grading services play a crucial role in this domain, offering professional grading, authentication, and encapsulation services that assure both buyers and sellers of the item's authenticity and condition. Here's a look at the leading authenticators in the comic book industry:

CGC (Certified Guaranty Company)

Established in 2000, CGC is arguably the most recognized comic book grading service globally. It provides a comprehensive grading scale, ranging from 0.5 (Poor) to 10.0 (Gem Mint), offering collectors and investors a reliable measure of the comic book's condition. CGC's encapsulation process also preserves the comic in a tamper-evident, protective holder, ensuring its condition and authenticity remain intact over time.

CBCS (Comic Book Certification Service)

Founded in 2014 by former CGC grader Steve Borock, CBCS has quickly established itself as a significant player in the comic book authentication space. CBCS offers similar services to CGC, including grading, encapsulation, and a detailed report of the item's condition. A unique feature of CBCS is its verification service for signed comics, offering collectors an added layer of authentication for autographed issues.

PGX (Professional Grading eXperts)

PGX, based in Portland, Oregon, has been grading and authenticating comic books since 2002. While it operates on a smaller scale compared to CGC and CBCS, PGX offers competitive pricing and turnaround times. Their grading standards and encapsulation services provide collectors with an alternative option for verifying and protecting their comic book investments.

Evaluating Authentication Services

When choosing a comic book grading service, collectors consider several factors:
  • Reputation: The credibility and recognition of the grading service in the collector community.
  • Accuracy: Consistency and reliability of the grading scale.
  • Protection: Quality of the encapsulation process and the durability of the protective holder.
  • Services Offered: Availability of additional services, such as signature verification or restoration detection.

Learning more about the value of your collection with iGuide's Appraisal Reports

Understanding the value of your comic book collection goes beyond grading and authentication. iGuide's Appraisal Reports offer an in-depth analysis of your collection's current market values, based on real market data. Whether you're a seasoned collector or new to the hobby, iGuide provides valuable insights into the worth of your comics, helping you make informed decisions about buying, selling, or holding onto your pieces.

How do I make a proper inventory list of my coin collection?

Before considering the sale of your valuable coin collection, it's paramount to create a detailed inventory list. This critical document is often the first thing requested by prospective buyers. Collectors and dealers rely on specific information to gauge their interest and propose a fair price. Without a detailed inventory, assessing the value and interest in your collection can be difficult or impossible. For those new to selling coins, the task may appear overwhelming. However, this guide aims to simplify the process, ensuring you cover all necessary details efficiently.

iGuide suggests utilizing a spreadsheet application, such as Google Sheets or Microsoft Excel, for inventory management. Google Sheets is particularly favored among buyers for its accessibility and is available at no cost with a Gmail account. Creating a Gmail account is straightforward and can be done by searching for "FREE GMAIL ACCOUNT" online. Coin Inventory Example

Year

Identifying the year a coin was minted is generally a simple task. However, if the date isn't visible due to wear, understand that this more likely indicates damage rather than a minting error.

Mint Marks

Mint marks is an essential point for coin collectors, with certain marks potentially increasing the coin's value significantly. The mint marks in the United States are:
  • P: Philadelphia Mint (also the U.S. Mint's main office, thus some coins may not feature a mint mark).
  • D: Denver Mint.
  • O: New Orleans Mint.
  • S: San Francisco Mint.
  • W: West Point Mint.
  • CC: Carson City Mint (known for its rarity and high value).
For assistance in identifying mint marks, a quick internet search can be very informative, or contact iGuide.

Denomination

State the denomination of each coin in your collection, whether it be a penny, nickel, dime, quarter, half-dollar, or dollar.

Coin Type

Including the type of each coin, while not mandatory, can offer additional insight into your collection.Don't know the type? It's okay to omit it.

Condition

Do your best to evaluate and describe the condition of each coin, even if it's a broad description like "USED" or "LIKE NEW." For coin sets or commemorative issues, describe the state of the packaging and whether items like certificates of authenticity are included, noting the condition as "like-new" if applicable.

Conclusion

Following these guidelines will help you compile a proper inventory list for your coin collection, putting you in a strong position for future sales or evaluations.

What is the most valuable comic book?

One aspect of comic books that most people are not aware of is their monetary value. Beyond the vibrant artwork and compelling narratives, these paper-bound treasures can hold significant financial worth, particularly for certain vintage editions. The realm of comic book collecting is much more than a hobby; it's a passionate pursuit that taps into an active and vibrant market.

Collectors scour for rare editions, driven by the thrill of discovery and the potential for investment. This market isn't just about reliving childhood memories or celebrating fandoms; it's also about recognizing the value of comic books as collectible items. Vintage comic books, especially those in pristine condition or featuring key character debuts, can fetch impressive sums, highlighting the financial dimension of this colorful world.

Market Dynamics

The comic book market is a fascinating study in economics, characterized by the principles of supply and demand, scarcity, and market sentiment. Its dynamics are shaped by a variety of factors, from cultural trends to the physical condition of the items. This market is particularly responsive to pop culture shifts, with values fluctuating based on movie releases, character revivals, and other media influences.

Factors Influencing Value

The value of a comic book is influenced by several critical factors, including:
  • Grade: The condition of the comic, with higher grades indicating better preservation and, consequently, higher value.
  • Rarity: The scarcity of an issue, especially in higher grades, significantly impacts its value.
  • Demand: Popular characters and storylines can increase demand and value.
  • Historical Significance: Issues that mark the first appearance of characters or pivotal plot developments are often more valuable.

Risks and Rewards

The comic book market, like any investment market, is subject to risks and rewards. Its volatility can lead to significant gains for knowledgeable collectors but also to potential losses. The market's sentiment can change, influenced by broader cultural trends or the condition of specific issues, making it a challenging but potentially rewarding field for investors.

What is the most valuable comic book?

"Action Comics #1," featuring the first appearance of Superman, holds the title for the most valuable comic book. It represents not just a significant cultural milestone but also a high-water mark in comic book valuations, fetching millions at auction. However, it's essential to remember that not all comic books are as valuable as this iconic issue.

Learn More About Comic Book Prices

For enthusiasts eager to delve deeper into the world of comic book collecting and valuation, iGuide's comic book price guide is an excellent resource. It provides up-to-date pricing information for rare comic books and their current values, helping collectors make informed decisions.

Working...