Case knives have long been treasured by collectors and enthusiasts for their craftsmanship, durability, and unique history. One of the key elements that makes Case knives so appealing is their wide variety of handle materials, which not only enhance the knife's functionality but also contribute to its aesthetic and collectible value. Understanding the tang stamp codes and the materials used in Case knife handles is essential for accurately identifying, dating, and appraising these timeless tools.
This guide provides a detailed breakdown of the tang stamp codes and their corresponding handle materials, offering valuable insights into what makes each knife unique. Whether you're a seasoned collector or new to the world of Case knives, this resource will help you better understand the significance of handle materials and how they impact a knife's value.
Case Handle Materials Tang Stamp Codes
Case used pattern numbers imprinted on the tang stamp and on the boxes of their knives to identify handle materials and other pertinent information. The first number of the tang stamp is the handle materials code.
1 - Hardwood
This number is usually used for a hardwood, such as walnut. Walnut is a very durable and rugged hardwood used for working knives, such as the 1199SH Pattern and the 12031 electrician's knife.
2 - Smooth Black Synthetic
Black poured plastic molded handles usually made from Delrin® or Thermoplastic Rubber.
4 - Smooth Synthetic
Poured plastic or Delrin® molded handles made in most any color except black and yellow.
5 - Stag
Naturally shed or dropped deer antlers are used for the Stag handles in Case knives. The most desirable Stag comes from the Sambar or Chital deer in India. Stag covers are burned lightly during the completion process.
5 XX Prime Stag
Genuine India Stag with an extra rough texture - the best of the best.
M5 - Midnight Stag
Genuine Stag except it is treated with a black dye and the covers do not get burned during completion.
R5 - Red Stag
Genuine Stag except it is treated with a red dye and the covers do not get burned during completion.
V5 - Vintage Stag
Genuine Stag that is not dyed or burned during the manufacturing process, but is given extra buffing and hand finishing.
6 - Bone, Wood, Delrin
Procured from Brazil, the shin bone of the Zebu cattle is the main source of bone suitable for Case bone handle materials.
Jigged Synthetic
Plastic molded covers with a jigged pattern.
Jigged Laminate
Laminated wood with a jigged pattern, such as used on the Folding Hunter.
V6 - Vintage Bone
Natural Bone with a special jigging pattern which has similar characteristics to stag.
6.5 - 6.5 BoneStag®
A Case registered trademark, 6.5 BoneStag® is a bone handle which is jigged and treated with flame to achieve the look of stag antler material.
7 - Rosewood
A handle material that comes from a number of hardwood trees from rain forests. It has a rose-colored effect and is becoming more rare. Case used this in many of their outdoor knives.
7 - Curly Maple
A knurly section of wood from a maple tree is used for handle material. The wood has a curled design, giving it a very distinct look.
7 - Curly Oak
A knurly section of wood from an oak tree is used for handle material. The wood has a curled design, giving it a very distinct look.
7 - Ebony
Comes from Africa. This black wood is also used in woodwind instruments.
7 - Desert Iron Wood
Comes from the deserts of SW America or Mexico, a heavy wood which is regarded as some of the most beautiful wood anywhere.
7 - Boi D'arc Wood
Comes from the Osage tree of Texas. This dense yellowish-orange wood is used frequently by Native Americans.
7 - Zebra Wood
Comes from Africa, a hard, dense, beautiful wood, naturally striped like a Zebra.
7 - Tulip Wood
Comes from the Tulip trees, found in jungles and North America.
7 - Lace Wood
Comes from Burma Rain Forest and is a hardwood.
7 - Snake Wood
Comes from South America and is considered the heaviest wood on earth.
7 - Amboyna
Comes from SE Asia. Only the burls from the Narra tree are used to give the numerous, beautiful swirls that come out in the Amboyna handles.
8 - Mother-of-Pearl
Natural shells harvested by deep sea divers in various parts of the Pacific Ocean.
8 - Abalone/ Paua
Gathered in Mexico, Abalone shells are cut into thin "feathers," edges are glued in thin sheets with each sheet's color matched and then laminated with high pressure into sheets for handle material. Paua is a similar shell found in New Zealand.
8 - Pink Mother-of-Pearl
Only pearl shells which are found in fresh water; no artificial color or enhancements added.
8 - Black Mother-of-Pearl
Rare shell harvested by deep sea divers in various parts of the Pacific Ocean; no artificial color or enhancements added.
9 - Corelon
A synthetic resin handle material developed in a wide variety of colors and patterns - similar to an imitation Mother-of-Pearl.
9 - Imitation Mother of Pearl
Not currently used at Case. Imitation Pearl is a composite material that looks like Mother-of-Pearl.
10 - Micarta
High pressure plastic laminate with either a paper or cotton cloth reinforcement substrate is used to make micarta. Micarta is a very durable handle material which is waterproof, impact-resistant, and polishes well. The lines and swirls that show in the finished knives are these layers of paper or cotton cloth.
10 - G-10
Using the same process as Micarta, G-10, however, has a glass cloth reinforcement substrate for exceptional strength characteristics with a very high impact and tensile strength. The lines and swirls that show in the finished knives are these layers of glass cloth.
B - Celluloid
Waterfall is celluloid, cream in color with a ripple design resembling a waterfall.
CT - Christmas Tree Celluloid
Christmas Tree is a very colorful celluloid with green, reds, and some gold.
EX - Exotic
EX indicates that the handle material used is from a variety of the most unique and desirable materials available, such as precious gemstones, giraffe and ostrich bones, etc.
GS - Celluloid
Goldstone is celluloid, colored with gold metal flakes.
I - Ivory
Since the last ice age, the Mammoth Ivory tusks have been locked in ice for some 12,000 years. This is perhaps the most beautiful and exotic of all handle materials which Case uses.
I - Imitation Ivory
Not currently used at Case. Imitation Ivory is a composite material that looks like natural ivory.
P - Pakkawood
A laminated wood typically birch or maple, impregnated with clear resin and bonded together. Pakkawood has the natural beauty of finished wood and a high resistance to heat and moisture, especially developed for Case handles in 1948.
R - Celluloid
Candy Stripe is a celluloid material colored in a striped (vertical or horizontal) design.
M - Metal
Stainless Steel handles are most common.
Collecting Case knives is both a rewarding hobby and an excellent investment, but accurately determining their value requires expertise. The handle material and tang stamp codes play a significant role in assessing a knife's rarity and desirability among collectors. If you own Case knives and are curious about their worth, consider having them professionally appraised. A knowledgeable appraiser can provide you with insights into your knife's history, authenticity, and market value, helping you make informed decisions about your collection. Reach out today to get your Case knives appraised and uncover their true value!
W. R. Case & Sons did not stamp the pattern number on their knives consistently until 1949. However, the pattern number has always been used at the factory level for purposes of records, cataloging, etc. I feel that, after you become familiar with the system, you will agree that is it very comprehensive.
Case uses abbreviated letters following the pattern number to identify various types of blades. Briefly, let us look at a pattern number and its abbreviated letters. For example, let us take pattern number: 6347 SH SP SSP. To the new collector, this number might seem complicated, but, a little time spent studying this article should make it very easy to understand.
NOTE: When a zero (0) appears before the first number or in the middle of the pattern number, it signifies that the pattern is a modification of another pattern.
The FIRST NUMBER designates the type of handle material used. It is coded as follows:
(1) – Walnut
(2) – Slick Black or Black Composition
(3) – Yellow Composition
(4) – White Composition
(5) – Genuine Stag, Second Cut Stag, Red Stag, or Midnight Stag
(6) – Jigged Bone (Bone Stag), Imitation Jigged Bone (Delrin), or laminated wood
(6.5) – Genuine Bone Stag
(7) – Curley Maple and Other Woods, Tortoise Shell, Black and Pakawood
(8) – Genuine Pearl, Abalone, or Paua
(9) – Imitation Pearl or Cracked Ice
(10) – Micarta
(A6) - Appaloosa Smooth Bone
(B) - Imitation onyx
(CI) - Cracked Ice
(CT) - Christmas Tree
(EX) - Exotic(Red Coral, Blue Lapis, Exotic Turquoise, and others)
(G) - Green Metal Flake, Red metal Flake, or Pick Bone
(G6) - Smooth Green Bone
(GS) - Goldstone, Gold Metal Flake, or Glitter Stripe
(H) - Molten Brown or Cream Composite
(HA) - High Art
(I) - Imitation Ivory, or Mammoth Ivory
(M) - Metal
(P) - Pakkawood
(R) - Candy Cane Stripe celluloid
(RM) - Red Mottled
(S) - Silver
(SG6) - Smooth Green Bone
(SR6) - Smooth rose bone
(V5) - Vintage Stag
(V6) - Vintage Bone
The SECOND NUMBER represents the number of blades.
The THIRD and FOURTH NUMBERS are the factory pattern. When a (1/2) follows the pattern it indicates that the master blade is of the “clip” style.
Next we come to the abbreviated letters following the pattern number. These letters identify the type of blades used. These letters are coded as follows:
SAB – Master Blade is Saber Ground
SP – Spay Blade
P – Punch Blade
RAZ – Razor or “One Arm Man” Blade
F – File Blade
PEN – Pen Blade
In addition to the abbreviated letters listed above you will note the following letters stamped on the blade following the abbreviated letters. This letter will help you in identifying individual patterns. They are as follows
To narrow down the production range of a Randall Made Knife (RMK), examining the types of snaps on the sheaths and the sharpening stones in the leather pouches are two effective methods. These details provide valuable clues for accurately dating the knives and understanding their historical context. By closely analyzing these components, collectors and enthusiasts can gain deeper insights into the history and evolution of these iconic knives.
Dating by Snaps on Sheaths
1942-1945: Brass and plain metal snaps were originally used on most of the Moore, Southern, and Heiser sheaths during WWII RMK production knives. Many of the snaps were enameled in black or burgundy colors.
1943 HH Heiser Model 1 Sheath
Late 1943-1945: HH Heiser used logo snaps, though plain snaps were more common.
1945: Heiser and Moore began using the seldom-seen red lucite Randall logo snaps. Sporadic use of these snaps was discontinued in 1949.
1946-1947: Transition Heiser sheaths with red and brown snaps were likely made during this period.
1946-Late 1964: The highly sought "brown button" RMK logo snaps were used by H.H. Heiser and then by Maurice Johnson, who used up the remaining stock by late 1965.
RMK “Brown Button’ Logo Snap
1954-1964: The famous "Lift the Dot" canteen snap Heiser "C" model sheaths were produced. Initially, these sheaths had seven large silver rivets, but smaller rivets were eventually used by both Heiser and Johnson. These sheaths were phased out by the end of 1973.
‘Lift the Dot’ canteen snap
1962-1965: The early Johnson brown buttons and the transition brown button with smooth button sheaths were produced. The "baby dot" nickel-plated smooth snaps, a stronger harness strap, were first used by Johnson in early 1963 and fully integrated into his sheath-making process by 1964.
1965: Heiser's production was discontinued, and Maurice Johnson took over as RMK's sole sheath maker. He continued using "baby dot" snaps throughout his 18-year relationship with RMK. His son Johnny Johnson continued this practice when he took over the family business in 1982. He used the smooth snaps until his untimely death in December of 1991.
Early 1970s Maurice Johnson Model C Smooth Snaps
Late 1986-1995: The first "baby dot" or smooth button sheaths from Sullivan's were produced. Some Sullivan transition sheaths having one smooth and one logo snap were produced from 1995-1996. The RMK logo snaps on the sheaths, as seen today, were first used in 1995.
Dating by Sharpening Stone
This method is considered less reliable due to the ease with which stones can be lost or replaced.
Examples of Sharpening Stones over the years
1942-1946: The earliest stones used by Randall were a variant of a thin greenish-gray stone. Some of these were marked "BARBORUNDUM BRAND NO. 71 DRAFTSMAN'S STONE."
1946-1954: This period saw the introduction of the Soft Arkansas or Lily White Washita Stone. Most of these early white stones were made by Norton Abrasives.
Early 1950s: Included some grayish-marbled stones and reddish-brown stones with a fish hook sharpening groove.
Mid 1954-Early 1970s: The common two-part combination gray Crystolon stone was introduced. The earliest versions were marked "Made in the U.S.of A." with later ones marked "Made in the U.S.A." These two-part stones are commonly seen configured with either blue ink on the light side or yellow ink on the dark side.
1969-1972: During the Vietnam Era, RMK used a Soft Arkansas/Washita Stone (white stone) supplied by A.G. Russell.
Early 1970s: A solid gray, medium grit Crystolon stone was used briefly before being replaced by the Norton "Bear Brand" SP-13 Stone from 1973-1975.
Late 1975: The orange "Fine India" stone was introduced and is still in use today.
Understanding these details about the sharpening stones and sheath snaps can significantly aid collectors and enthusiasts in accurately dating their Randall Made Knives, providing a richer context to their historical value. It's important to understand that "Bo" Randall did not waste materials. As a result, products can appear across multiple manufacturing years, even after a transition. They used what they had on hand, and sometimes new materials would get mixed with old ones.
Early RMK's (Pre-War): Early Randall Made Knives, crafted before World War II, bore a striking resemblance to William (Bill) Scagel knives. They frequently featured leather and brass spacers near the hilt and were often finished with 'crown' stag handles, reflecting a high level of craftsmanship. 1939 Randall w/ the Scagel-style spacers
By the End of 1942: WD 'Bo' Randall had largely standardized the handle types for his knives, favoring plain stag, stacked leather, or wood handles. This period marked the beginning of more uniform production methods.
Stag Handles
Pre-1958: Stag handles are among the easiest to date. Early stag handle knives produced prior to 1958 utilized brass pins for securing the handle. Initially, two pins were used, but by 1946, this was reduced to one pin. As better epoxies became available, the use of pins was phased out entirely, with the exception of some special order knives into the early 1960s. Single-pin and double-pinned stag fighters
Until Around 1973: A seven-spacer stack was commonly used at the hilt end on most stag knives. Around 1973, Gary Randall decided to standardize to a five-spacer configuration for all regular production models, including those with stag and wood handles.
Stacked Leather Handles
1942-1945: Early stacked leather handles were more cylindrical and tapered down on both the hilt and pommel ends. These handles were also thicker than the washers used today. 1943 Fighter with thicker, cylindrical Leather Washers
Late 1945: The thinner, more oblong leather handles we recognize today first appeared. This period also saw the introduction of the thong hole through the Duraluminum buttcap. Two versions of stacked leather handles were produced in 1945, and these versions resurfaced during the Korean Conflict in 1950. It's believed that sales plummeted post-WWII, leaving many knives unsold until the 1950s.
By 1953: The thinner, tapered style of stacked leather handles had become the norm for virtually all models.
Tenite & Micarta Handles
1954: Tenite handles made their debut with the introduction of the RMK Model #14 'Attack' and Model #15 'Airman' knives. The first Tenite handles were off-white, but by 1955, the more common green Tenite was in use. All production Tenite models featured two exposed screws and an extended tang with a thong hole. A few 'transition' knives were made during the change to Micarta handles, including some Model #16 'Diver's Knife' versions. Model 14 White Tenite Handle
1960: Gray Micarta was introduced for the Model #17 'Astro'. By late 1963, the extended tang had been removed from RMK Models #14, #15, and #16, and a chocolate brown Micarta was used. These transition knives initially had exposed screws, but this was soon changed to plugged handles. By early 1966, screws were no longer needed, as epoxies secured the handle.
By 1967: Black Micarta became the standard. Some Tenite models were rehandled with Micarta as they returned to RMK for repair, since Tenite handles did not hold up well to the moisture and heat of Vietnam, often warping and breaking. Modern Black Micarta handles
Late 1968: Originally, Micarta handle knives featured an unlined, chamfered 3/16" thong hole. In late 1968, a brass ferrule was introduced as a special order item, and by late 1972, it became a standard feature in normal production. Be cautious of those removing the ferrule to make their knives appear older.
Hollow Handle
1963: The Model #18 'Survival Knife', known for its hollow handle, was introduced. The original design utilized modified blades from Models #14 and #15 and featured a rubber 'crutch tip' butt cap and a pinched tube handle, which aligned with the hilt widths of Models #14 and #15. Randall Model 18 Crutch Tip
By 1965: The hilt of the Model #18 was widened, eliminating the need for a severe pinch. Rubber crutch tips were used until 1972, after which a threaded brass end cap was introduced.
The evolution of Randall Made Knives' handles reflects a rich history of innovation and adaptation to both materials and user needs. Understanding these historical developments not only enriches our appreciation for these knives but also helps collectors and enthusiasts accurately date and value their pieces. Whether you're a seasoned collector or a new enthusiast, the history of RMK handles offers fascinating insights into the legacy of one of America's most iconic knife makers.
Knives, from their humble beginnings as tools of survival, have evolved into objects of art, history, and personal interest. Knife collecting, spanning centuries and continents, reflects this multifaceted appeal. Delve into this intriguing world with us:
From Antiquity to Auction
While collecting artifacts like weapons and tools pre-dates recorded history, organized knife collecting is relatively recent. The late 19th century saw a surge in interest, fueled by growing affluence and fascination with American westward expansion. Early collectors focused on historical pieces like Bowie knives and military blades.
The 20th Century Boom
The 20th century witnessed a boom in knife collecting, with specialized clubs, publications, and shows emerging. New categories like custom knives and tactical folders entered the scene, broadening the collector's landscape.
Who Collects the Blade?
The diverse world of knife collectors attracts individuals with various motivations:
The Historian — Drawn to the past, they seek knives that tell stories of wars, cultures, or specific historical figures.
The Craftsman — Appreciating meticulous design and engineering, they value knives made with exceptional materials and techniques.
The Investor — Seeking financial gain, they focus on rare, limited-edition, or vintage pieces with potential market appreciation.
The Practical Collector — They combine interest with utility, collecting knives for everyday use while appreciating their value as collectibles.
Market Values: A Double-Edged Sword
The value of a collectible knife is influenced by several factors, including:
Age and Rarity — Older, rarer knives generally command higher prices.
Condition — Mint condition significantly increases value.
Maker and Provenance — Renowned makers and documented history raise desirability.
Market Trends — Popular patterns and materials fluctuate in value over time.
It's crucial to remember that the market value shouldn't solely drive collecting. Genuine passion, a thirst for knowledge, and appreciation for history and craftsmanship are the cornerstones of this fulfilling hobby.
The Future of Sharpened Passions
Knife collecting continues to evolve, embracing online communities and forums, attracting younger generations, and expanding its scope to include modern tactical and artistic designs. While market values remain significant, the true allure lies in the stories each blade whispers, the craftsmanship it embodies, and the connection it offers to history and heritage.
So, whether you're drawn to the practical edge of a pocketknife or the historical weight of a military dagger, the world of knife collecting welcomes you with a treasure trove of stories and blades waiting to be discovered. Just remember, the most valuable collection is the one built on genuine passion and appreciation.
The Jaeger Bros Knife Company is a relatively lesser-known name in the history of American cutlery, but it has a distinct story rooted in craftsmanship. Based in Newark, New Jersey, Jaeger Bros was established in the late 19th century by brothers Henry and Louis Jaeger. They were part of a wave of German immigrants who brought their knowledge of blade-making to the United States, a common trend as German craftsmen were highly skilled in the art of knife and tool production.
Key Highlights:
1. Founding and Early Years:
The Jaeger Bros Knife Company was founded in the 1880s. The Jaeger brothers initially started as knife grinders and cutlers, applying the techniques they learned in Germany to the American market.
Newark, NJ, where they were based, was an industrial hub at the time, known for its production of cutlery, tools, and other metal goods.
2. Product Line:
The company produced a wide range of knives, including kitchen knives, hunting knives, and utility knives. They were known for their craftsmanship, using high-quality carbon steel for the blades, which offered excellent edge retention.
The Jaeger Bros also made specialty knives, catering to trades like leatherwork, woodworking, and butchering, where precise cutting tools were essential.
3. Business Growth and Legacy:
Jaeger Bros gained a reputation for quality, especially in the Northeastern U.S. Their products were used in both domestic and industrial contexts.
By the early 20th century, the company had a loyal customer base, but like many small knife manufacturers of the time, it faced increasing competition from larger firms and imported knives.
4. Closure and Collectible Status:
The exact date of the company's closure is uncertain, but it likely ceased operations by the mid-20th century, possibly due to the economic impacts of the Great Depression or the rise of cheaper, mass-produced knives.
Today, Jaeger Bros knives are considered collectible items. They are sought after by enthusiasts of vintage American cutlery, who value them for their craftsmanship and historical significance.
In the current market, Jaeger Bros knives often appear in auctions and antique shops, typically fetching higher prices when in good condition due to their rarity and historical appeal.
For over 130 years, Case knives have been trusted companions for farmers, ranchers, cowboys, and everyday folks alike. But the story behind these iconic American blades goes deeper than just utility. It's a tale of family, craftsmanship, and an unwavering commitment to quality.
From Wagon to Workshop
The saga begins in 1889, when the Case brothers – William Russell, Jean, John, and Andrew – started selling handcrafted knives from their horse-drawn wagon in upstate New York. Their dedication to quality quickly built a reputation, leading to the formation of the Case Brothers Cutlery Company in 1900.
Taking Root in Bradford
In 1905, seeking expansion, the company relocated to Bradford, Pennsylvania, where it remains today. John Russell Case, son of William Russell, formed W.R. Case & Sons. Under his leadership, the company thrived, establishing its "Tested XX" trademark, signifying blades tempered twice for superior strength.
A Legacy Forged in War and Peace
Case knives played a crucial role in both World Wars, supplying sturdy pocketknives and utility blades to American soldiers. These wartime models are now prized collectibles. And beyond battlefields, Case knives became ubiquitous tools for farmers, ranchers, and anyone needing a reliable cutting companion.
More Than Just Blades
While pocket knives remain their core, Case expanded its offerings over the years. From fixed-blade hunting knives to kitchen cutlery and commemorative collectibles, the brand caters to diverse needs while maintaining its focus on quality and craftsmanship.
Carrying on the Tradition
Today, W.R. Case & Sons remains family-owned and operated, carrying on the legacy of its founders. Each knife is a testament to their commitment to quality, using time-tested techniques and premium materials. And as they forge ahead, Case knives continue to be more than just tools, they're symbols of American heritage, passed down through generations and trusted by those who value tradition and craftsmanship.
So, the next time you pull out your Case knife, remember the rich history it embodies. It's not just a blade, it's a piece of Americana, ready to tackle any task, big or small.
The Fight'n Rooster brand holds a unique niche amongst collectors thanks to its blend of German craftsmanship and distinctive designs. Here's a glimpse into its story:
The Rooster Crows in 1976
The Fight'n Rooster brand was born in 1976, the brainchild of Frank Busterf of Lebanon, Tennessee. Dissatisfied with American manufacturers fulfilling his special order requests, he embarked on a different path.
Destination: Solingen, Germany
Frank partnered with the renowned Olbertz factory in Solingen, Germany, known for its expertise in knifemaking. He drew inspiration from vintage celluloid patterns of the 1940s, breathing new life into them with German steel and craftsmanship.
Mark of the Roosters
Early Fight'n Rooster knives (1976-1982) displayed a simple tang stamp with two fighting roosters and "Solingen" or "Germany" markings. Later iterations saw the addition of "Frank Buster Cutlery Company" and "Frank Buster Celebrated Cutlery" alongside the roosters.
Beyond Pocketknives
While traditionally known for pocketknives like stockmans and trappers, Fight'n Rooster expanded its repertoire. Fixed-blade knives, hunting companions, and even commemorative pieces showcased the brand's versatility.
A Family Affair
Following Frank's passing in 2007, his son Stirling Buster carried the torch. Today, under Stirling's stewardship, Fight'n Rooster knives continue to be produced in Solingen, maintaining the brand's focus on quality and distinct aesthetics.
Legacy of Passion
Though not as widely recognized as some American giants, Fight'n Rooster holds a special place in the hearts of collectors. Their knives embody a unique blend of German precision and Frank's original vision, offering a distinct alternative to mainstream brands.
Collecting the Crowing
Dating Fight'n Rooster knives can be tricky due to production overlaps and tang stamp variations. Collectors rely on resources like Joe Parker's "Fight'n Rooster Knives Reference Guide" and forums like BladeForums to navigate the nuances.
Looking Ahead
Today, Fight'n Rooster remains a relatively small operation, but its dedicated following ensures its place in the knife world. Whether you're a seasoned collector or simply appreciate unique craftsmanship, a Fight'n Rooster knife holds within it a story of passion, grit, and the unwavering spirit of the Fighting Roosters themselves.
When it comes to Randall Made Knives (RMK), the sheaths that accompany these iconic blades are almost as collectible as the knives themselves. The history of RMK sheaths is rich and varied, with different makers contributing to the legacy over the decades. From the early days of Clarence Moore to the current production by Sullivan's Holster Shop, each sheath tells a part of the RMK story.
Very Early Sheaths
1937: Very early, seldom-seen 'Basket Weave' sheaths were produced by various makers in 1937. Clarence Moore of Orlando, FL, was the original sheath maker for Randall Knives, starting his production in 1937 and continuously supplying sheaths until the spring of 1954.
Introduction of the Sharpening Stone Pocket
1942: The 'A' Model sheath, introduced by Moore, was the first to include a sharpening stone pocket, a revolutionary idea at the time.
WWII and Increased Production
1943-1944: WWII increased demand for Randall Knives, prompting W.D. 'Bo' Randall to seek additional sheath makers. Southern Saddlery of Chattanooga, TN, and H.H. Heiser Saddlery Company of Denver, CO, answered the request for bids. Southern only produced sheaths from June 1943 to the spring of 1944. It's believed that by 1944, Moore and Heiser could meet RMK's needs adequately. 1943 Heiser Sheath
1943-1964: H.H. Heiser began production of sheaths for RMK in the spring of 1943 and continued after the war until late 1964. Starting in late 1943, two rivets were added to the throat of the sheath for extra security and strength. This was discontinued in 1947 but would return in 1954 with the introduction of the Heiser 'C' Model sheath.
Post-War Production
1946-1964: Heiser 'Brown Button' sheaths were made in 1946 and from 1949 to 1964. Red & Brown Button sheaths first appeared in 1946 and were simultaneously manufactured by Moore and Heiser. Brown Button Sheaths
1954: Heiser riveted Model 'C' sheaths were introduced with the first Model 14's and 15's. These sheaths featured canteen-style 'Lift the Dot' straps and brown button snaps on the stone pocket.
1958: Heiser made the first waxed leather sheaths for RMK in 1958 for the Model 16 diver's knife. Demand waned for the waxed sheaths limiting the production.
Transition to Maurice Johnson
1965: By early 1965, Heiser was no longer making sheaths for Randall, and Maurice Johnson of Orlando, FL, took over the entire RMK sheath production. The earliest Johnson sheaths used Brown Buttons with smooth nickel-plated brass 'baby dot' snaps in 1964.
1965-1970s: By late 1965 and into the early 1970s, Johnson was making riveted sheaths for RMK in the 'Rough Back' form only. Heiser 'C' model sheaths used seven small brass or steel rivets, while early Johnson sheaths originally had large copper rivets at the sheath throat. Later Johnson sheaths used smaller rivets throughout, including a few early 'Split Back' sheaths.
The Johnson's Contribution
1965-1982: Johnson made 'Rough Back' sheaths for RMK. He handed over the company to his son Johnny Johnson, who ran the business until his untimely death in 1991. Paracord made its debut in the early 1970s Model 'C' sheaths. Gold Paracord was first used from 1971-1972 before being replaced with the standard OD color still in use today. Johnson's early 1970s Gold Cord
1990-1991: Johnny Johnson made some rare 'Smooth Back' sheaths, most likely in response to the growing popularity of the new Sullivan's design of the late 1980s.
Transition to Sullivan's Holster Shop
1986: Sullivan's Holster Shop of Tampa Bay, FL, owned and operated by Greg Gutcher Sr., started a business relationship with RMK in late 1986. Sullivan's took over the sole production of RMK sheaths in December 1991 and is currently the only authorized sheath maker for RMK.
1987: The 'Double Stitch' Sullivan's Model 'C' for Model 14 and 18 was first introduced in early 1987. Model 'C' sheaths for shorter blade lengths on Models 15, 17, and 18 all use the 'single stitch' method.
1995: Originally, Sullivan's used linen thread for their stitching. In 1995, they switched to synthetic thread, initially white in color. This was followed by a limited run of 'brown stitch' sheaths from mid-1998 through early 1999. Current production features a synthetic 'Tan' thread. RMK enthusiasts appreciate Sullivan's willingness to provide a sheath tailored to their specifications and the high quality of manufacture.
Examples of Various Sheath Models Currently Offered by RMK via Sullivan’s
In Conclusion
The sheaths of Randall Made Knives are not only functional accessories but also cherished collectibles that tell the story of the knives' rich history. It’s important to understand that Bo Randall was frugal and didn’t let things go to waste. Sometimes a sheath would sit for years before being used if the model wasn’t a top seller. This led to interesting combinations of sheaths, stones, buttons, and knives from different years. It’s a range rather than an exact year when dating your Randall knife. Collectors and enthusiasts alike continue to seek out these sheaths for their historical significance and craftsmanship, making them a vital part of the Randall Made Knives heritage.
Walter L. Kneubuhler (1906–1982) remains a revered name in the world of custom knives, celebrated for his impeccable craftsmanship and dedication to historical authenticity. Born in Antwerp, Ohio, on July 13, 1906, Kneubuhler’s journey into knife making began humbly, forging tools for everyday use on his family farm. His early creations, kitchen and butcher knives for his mother, demonstrated a knack for turning ordinary materials into functional and enduring tools.
From Hobbyist to Master Knife Maker
Kneubuhler's interest in black powder firearms in the 1960s spurred a new creative venture: crafting traditional accessories. His skill quickly gained recognition among collectors and enthusiasts, encouraging him to pursue knife making full-time after retiring in 1968. This marked the birth of W.K. Knives, a brand synonymous with artistry and reliability.
His most iconic creations, such as the "Mountain Man" and "Jedediah Smith" models, reflect Kneubuhler's passion for American history and his dedication to authenticity. These knives not only served practical purposes but also celebrated the craftsmanship of early American pioneers, blending utility with aesthetics.
A Collector’s Treasure
Today, Walter Kneubuhler's knives are highly coveted by collectors worldwide. Prestigious platforms like Arizona Custom Knives and Michigan Custom Knives frequently showcase his works. Notable pieces include:
- Daggers and Bowie Knives, praised for their intricate detailing.
- The "Jedediah Smith" model, a masterpiece featuring a D-2 steel blade and a polished rosewood handle, exemplifying Kneubuhler's ability to merge durability with elegance.
The rarity and quality of his knives have cemented their value in the collectible market, often commanding premium prices.
A Legacy Continued
Following Kneubuhler's passing on June 14, 1982, his apprentice, David Votaw, took up the mantle to preserve the W.K. Knives tradition. Votaw’s work ensures that Kneubuhler's legacy of creating historically inspired, handcrafted knives lives on, bridging the gap between functional tools and collectible art.
How Much Are Walter L. Kneubuhler Knives Worth Today?
The value of Kneubuhler’s knives depends on factors such as condition, rarity, and historical significance. Some models, especially limited-edition pieces or those with unique materials, can fetch thousands of dollars in the secondary market. Collectors prize these knives for their craftsmanship, historical connection, and enduring utility.
If you own a Walter Kneubuhler knife and are curious about its value, an appraisal can provide insights into its worth and help you decide whether to preserve, sell, or display this piece of history.
Ready to Appraise Your Knife?
We specialize in evaluating collectible knives, offering you expert insights and accurate valuations. Whether you’re a collector, a seller, or simply curious, contact us today for a professional appraisal. Let us help you uncover the true value of your Walter Kneubuhler knife!
Note: The fixed blade knife dating guide is at the bottom of this page.
Since its inception in 1889, the Case Knife Company has been at the forefront of knife manufacturing. Collectors of Case knives have the unique opportunity to hold pieces of American history in their hands, with knives from each era of the company's production. Each knife isn't just a tool; it's a piece of art that represents a specific time in craftsmanship and industry.
Decoding the Age of a Case Knife
This article is here to sharpen your skills in dating your Case knives by looking at their tang stamps. But what exactly is a tang stamp? It's a marking found on the blade—often at the handle—that usually includes the brand name and often includes the production year of the knife. Case has been one of the few companies that consistently has used tang stamps to date their knives throughout their history, making it easier for collectors to verify and appreciate the age of their collectibles.
Use this handy tang stamp guide as a way to determining the age of your beautiful Case knives.
19 USA 90 1990 → date stamped
19 USA 91 1991 → date stamped
19 USA 92 1992 → date stamped
19 USA 93 1993 → date stamped
7 dots → 1993
6 dots → 1994
5 dots → 1995
4 dots → 1996
3 dots → 1997
2 dots → 1998
1 dot → 1999
2000s
5 x 5 dots → 2000
5 x 4 dots → 2001
5 x 3 dots → 2002
5 x 2 dots → 2003
5 x 1 dots → 2004
5 x 0 dots → 2005
4 x → 2006
3 x → 2007
2 x → 2008
1 x → 2009
2010s
5 x 5 dots → 2010
5 x 4 dots → 2011
5 x 3 dots → 2012
5 x 2 dots → 2013
5 x 1 dots → 2014
5 x 0 dots → 2015
4 x → 2016
3 x → 2017
2 x → 2018
1 x → 2019
2020s
NOTE: We've seen all block letters on the tang (exactly like the 1970s) and also tangs with block letters and a lightning S. The main feature of the 2020s is they are reusing the old dot style from the 1970s.
10 dots → 2020
9 dots → 2021
8 dots → 2022
7 dots → 2023
6 dots → 2024
5 dots → 2025
4 dots → 2026
3 dots → 2027
2 dots → 2028
1 dot → 2029
Fixed Blade Knives
Who buys Case knife collections today?
Finding buyers for Case knife collections can be challenging due to the aging of the market participants and the general decline in the economy. The market has seen a decline in dedicated dealers, largely due to older dealers retiring and a decreased interest among younger people to collect much of anything. This shift has led to fluctuating market values, making it more important than ever to understand who is buying and what they are looking for in a collection. That's not to say the market for Case knives is dead. It is not. But finding someone in your area to buy your entire collection lock, stock, and barrel might not be too easy.
In Closing
Whether you're a seasoned collector or new to the world of knife collecting, understanding how to date your Case knives is key to appreciating their worth and historical significance. Remember, each stamp, each blade has a story, and with a little knowledge, you can uncover the tales of craftsmanship that make your collection truly unique. Happy collecting!
About Our Sponsor
This article is sponsored by 2nd Markets of Nashville, Tennessee. Recognized as one of the top buyers of Case knife collections in the United States, 2nd Markets offers expertise and passion for these classic collectibles. If you're looking to assess the value of your collection or find a new home for your knives, contact them. Google: 2ND MARKETS KNIFE BUYER or go to https://www.2ndmarkets.com/sell-knife-collection.aspx
Randall Made Knives, founded by Bo Randall in 1938, is renowned for its handcrafted knives. Each model has its unique history, design, and purpose. Below is a guide to models 25 - 28 and the years they were released.
1988
Model 25 - The Trapper: Drop-point hunter-style knife, similar to Model #11. Handle construction is reminiscent of a 1930's design. 1990
Model 26 - Pathfinder: Excellent skinning and outdoor knife with a drop point. This knife has become one of our more popular small size hunting knives. 2000
Model 27 - Trailblazer: An ideal all-around heavy-duty sportsman's knife. 2010
Model 28 - Woodsman: Small Drop point hunter w/ micarta handles. 2012
Model 27 - Mini Trailblazer: 3-1/2 inch blade version of the Trailblazer.
Swanwerks Knife Company, based in Solingen, Germany, was one of the many knife manufacturers that contributed to the city's reputation as a premier center for cutlery and blade-making. While specific details about Swanwerks are limited due to its relatively niche presence compared to some larger Solingen firms, there is still enough context to piece together its place in the knife-making history of Solingen.
Overview of Swanwerks Knife Company
1. Establishment in Solingen:
Swanwerks was one of many smaller knife manufacturers that operated in Solingen during the 20th century. Solingen, known as the "City of Blades," was home to a multitude of cutlery firms, both large and small, known for producing high-quality knives, scissors, and other cutting tools.
The name "Swanwerks" likely refers to a swan logo or branding, which was common for many Solingen manufacturers as a way to distinguish their products and build brand recognition.
2. Product Range:
Swanwerks focused on a variety of cutlery items, including pocket knives, straight razors, hunting knives, and possibly kitchen cutlery. The products were marked with the Swanwerks name, often accompanied by a swan logo, symbolizing quality and craftsmanship.
Given the quality associated with Solingen products, Swanwerks knives were likely made using high-grade carbon steel or stainless steel, providing durability and excellent edge retention.
3. Export Market and Popularity:
Like many Solingen manufacturers, Swanwerks likely exported a significant portion of its products, especially to the United States and other parts of Europe. German-made knives were highly regarded worldwide, and Solingen was a brand in itself synonymous with quality.
The pocket knives and straight razors from Swanwerks would have been popular among tradesmen, outdoorsmen, and collectors during the mid-20th century, often sought after for their reliable construction and sharpness.
4. Company Decline:
The latter half of the 20th century was challenging for many traditional knife makers in Solingen due to increased competition from cheaper imports, particularly from Asian manufacturers, and changing consumer preferences.
It is likely that Swanwerks, like many smaller Solingen companies, either went out of business or was absorbed by a larger firm by the late 20th century as part of industry consolidation.
5. Collectibility and Legacy:
Today, Swanwerks knives are considered collectible, particularly among enthusiasts of vintage Solingen knives. The company's products, especially those marked with the swan logo, are valued for their craftsmanship and as pieces of Solingen's rich knife-making history.
Collectors appreciate Swanwerks knives for their quality steel, distinctive design, and the legacy they represent as part of the broader tradition of German cutlery manufacturing.
Conclusion
Swanwerks is a good example of a Solingen-based manufacturer that contributed to the global reputation of German cutlery. While not as well-documented or as large as some of its contemporaries, the brand remains a part of the collectible market today, valued by those who appreciate the history and craftsmanship of Solingen knives.
The Cattaraugus Cutlery Company stamped nearly all of their knives with pattern numbers in a unique numbering system. They may have also denoted different blades and colors of handles with letter abbreviations, but this is rare.
The first figure of the pattern number indicates the number of blades (1 means one blade, etc.).
The second figure indicates the number and type of bolsters:
0 = no bolsters
1 = front bolster only
2 = front and rear bolsters
3 -- tip style bolsters
5 = diagonal (slant) bolsters
The last figure of the pattern number denotes the type of handle material used:
1 = white fiberoid
2 = french pearl
3 = genuine mother of pearl
4 = celluloid
5 = genuine stag
6 = ebony
7 = concobola
8 = white bone
9 = stag bone
The remaining numbers (3rd and 4th in most cases) are the pattern number.
Beware: after Cattaraugus went out of business, someone bought the remaining parts and assembled them, resulting in low quality, crude examples. Also, the stamping on these later knives is very poor. Do not confuse these later knives with original manufacture.
Randall Made Knives, founded by Bo Randall in 1938, is renowned for its handcrafted knives. Each model has its unique history, design, and purpose. Below is a guide to the first 11 models and the years they were released.
1943
Model 1 - All Purpose Fighting Knife: The iconic Randall knife, designed for military use. This is the knife made famous by Allied combat troops in World War II and since widely used in all theaters of war.
Model 2 - Fighting Stiletto: This is a heavily made dagger or dirk. The knife is shaped along the lines of a famous British Commando knife, but is larger, stronger, and has a more comfortable grip.
Model 3 - Hunter: An ideal all-around, heavy-duty sportsman's knife. Scientifically designed for every outdoor use and our most popular sporting model.
1945
Model 4 - Big Game and Skinner: Similar to Model #3, but with a more curved blade. This knife has been extensively used by Alaskan and Canadian guides, trappers, and sportsmen.
Model 5 - Camp and Trail Knife: This is a straight-bladed knife preferred by many for all-around camp and trail use. Also, ideal for yachtsmen and sailors for general boating purposes.
Model 6 - All-Purpose Carving Knife: A knife designed for ideal meat tableside carving.
Model 7 - Fisherman-Hunter: Similar to Model #3 except this knife is smaller and lighter. Ideal for small game, creel, or tackle box.
1946
Model 8 - Trout and Bird Knife: A small game knife for cleaning fish and feathered game.
1947
Model 9 - Pro-Thrower: Accurate, balanced, and scientifically designed for those desiring a practically indestructible throwing knife.
1948
Model 10 - Salt Fisherman and Household Utility: A versatile knife for fishing and household use.
1952
Model 11 - Alaskan Skinner: The original drop-point blade. Designed by Tommy Thompson, noted Alaskan guide, in 1952 for big-game skinning. The point is dropped below the top of the blade to prevent cutting too deeply through skins when used point first.
Randall Made Knives, founded by Bo Randall in 1938, is renowned for its handcrafted knives. Each model has its unique history, design, and purpose. Below is a guide to models 14 - 24 and the years they were released.
1954
Model 14 - Attack: This knife was designed to meet the demand for an almost indestructible all-purpose knife. It is especially suited for combat and survival purposes.
Model 15 - Airman: Designed especially for aircrew survival and combat purposes in cooperation with U.S. Marine Corps Equipment Board. 1958
Model 16 - Diver's Knife: A robust knife designed for heavy-duty saltwater use. 1960
Model 17 - Astro: Specially designed for the seven Mercury astronauts who carried them on America's first manned space flights. Astronaut Gordon Cooper did the final design and two of these historically valuable knives are on display in the Smithsonian Institution. It became available to the public in 1963. 1963
Model 18 - Attack and Survival: A hollow-handled survival knife.
Model 19 - Bushmaster: Designed by a professional woodsman for all-around camp and big game hunting purposes. An excellent big game skinning knife.
Model 20 - Yukon Skinner: An adaptation of our Model #4 specially designed for big game purposes by Ward Gay, the famous Alaskan bush pilot. 1966
Model 21 - Little Game: A smaller hunting knife for game preparation. Especially suited for caping and other delicate cutting duties. 1971
Model 22 - Outdoorsman: A thinly-beveled blade for the professional outdoorsman. 1972
Model 23 - Gamemaster: A variation of the Model #19, serving the same purposes. Developed because of popular demand for a knife with these characteristics. 1978
Model 24 - Guardian: Specially designed in 1978 for use by police, undercover agents, and law enforcement personnel for self-protection and as a back-up weapon.
Initially focused on razor blades, PAL took a significant step forward in 1935 when it merged with the Utica Knife & Razor Company, moving operations to Plattsburgh, New York. The merger laid the foundation for PAL’s expansion into knives, an area that would define its legacy.
A Brief History of PAL Blade Company
In 1941, PAL acquired the cutlery division of Remington-DuPont in Bridgeport, Connecticut, positioning itself as a major player in the industry. This acquisition gave PAL access to Remington’s designs and tooling, including the renowned "RH" (Remington Hunting) knife models. The company soon expanded to a 100,000-square-foot facility in Holyoke, Massachusetts, with aspirations to become the nation’s largest cutlery manufacturer.
Contribution to World War II
As the United States entered World War II, PAL Blade Company shifted its focus to meet the needs of the military. The company produced bayonets, sheath knives, and pocket knives for American forces. Models like the RH-35, RH-36, and RH-37 became staples for soldiers across all branches of the armed forces.
The RH-36, in particular, stands out as one of PAL’s most iconic designs. Its robust construction made it ideal for the harsh conditions of war, and surviving examples often bear the wear and tear of their storied past, adding to their collectible appeal.
Post-War Transformation and Decline
After the war, PAL rebranded as the Pal and Personna Blade Co., Inc., shifting its focus to kitchen cutlery and other household products. However, the post-war years brought challenges. By 1953, declining sales and aging machinery forced the closure of its Holyoke factory. PAL was eventually acquired by the American Safety Razor Company, which continued the legacy of its razor blades under the Personna brand.
PAL Knives in Today’s Collector Market
For collectors, PAL knives represent more than just functional tools—they are pieces of history. Military knives, particularly those bearing the RH model designations, are prized for their craftsmanship and wartime provenance. The company’s knives are often found with original leather sheaths, which add to their value.
Condition plays a significant role in determining the value of PAL knives. Mint-condition examples with clear markings and intact sheaths can fetch premium prices at auctions or collector gatherings. Even well-used knives with signs of military service hold significant historical and monetary value.
A Lasting Legacy
PAL Blade Company’s journey from a razor blade manufacturer to a cornerstone of wartime production underscores its adaptability and commitment to quality. Its military knives are enduring symbols of an era when American manufacturing rose to meet global challenges.
Whether you’re a seasoned collector or new to the world of vintage knives, PAL’s products offer a tangible connection to history. Owning a PAL knife is more than owning a tool—it’s preserving the legacy of a company that helped shape American craftsmanship during one of the most critical periods of the 20th century.
For those interested in adding PAL knives to their collection, understanding the history and significance of these pieces is essential. With proper care and appreciation, these knives can continue to tell their story for generations to come.
Dating a Randall knife can be a real chore! The more you understand about the frugal nature of W.D. 'Bo' Randall and the 'First in, Last out' policy of the shop, you begin to realize that it's more of a range rather than an exact date. The more information you have on the subtle changes to production through the years, the better you can narrow that range and avoid buying a misrepresented knife. Blade steel and stamps have had slight variations over the years; here are some things to look for.
Steel
The earliest RMK blades were made from steel automotive springs. Since the early 1940s, RMK's primary steel has been a 'High Carbon' Swedish 01 tool steel. In addition to the Swedish 'tool steel,' RMK also uses 440B Stainless Steel. The debut of the 'Fish,' 'Oyster,' and 'Barkeep' knives in the 1940s marked when stainless became viable for future knife production, though some stainless was used as far back as 1938. ATS-34 was introduced in the early 1990s as an option for models #9, #10, #24, and possibly a few 'non-catalogue' models.
Blade Stamps
In the early 1980s, the United States Postal Service (USPS) switched over to two-letter abbreviations for each of the 50 states. Some blade stamps have FLA., and others have FL. To some degree, this creates a line between pre-1980s knives, but this is not totally accurate.
The stamp maker made up a few stamps at the time with the 'FL' logo in both large and small variants; these were used only on stainless steel knives. Old and new versions of the stamps are in use. You'll find that the 'FL' stamp is interchangeable with the 'FLA' stamp, but only on stainless steel blades and only on those made after 1984. You won't ever see a 'FL' stamp on any legitimate O1 'high carbon' blade of any size as made by RMK.
FL & FLA stamps
Around 1958/59, a double-stamped 'SS' marking was first used on Orlando-made stainless blades, not the 01 Swedish tool steel. This practice continued until around 1963 when one of the S's was dropped.
1958-1963 Double SS Stainless Steel Stamp
The single S was usually stamped low on the ricasso, known to collectors as the 'Low S.' This method continued through at least 1965.
1963-1965 the 'Low S' Stainless stamp
The S was then moved up and adjacent to the RMK logo stamp. These adjacent S stamps are known to collectors as the 'Separate S.' They were made in Orlando from 1966 to 1971.
1966-1971 'Separate S' Stainless stamp
By 1972, stainless steel blades from Orlando are stamped with an RMK logo stamp with the S integrated.
From 1957-1977, RMK contracted to have their stainless blades forged in Solingen, Germany. This gave them an expedient, low-cost alternative to meet demand as the United States entered conflicts in the Southeast Asian war 'Vietnam.' The first Solingen blades were used on the Model #14 and #15. They were marked vertically on the ricasso as 'RANDALL MADE, SOLINGEN GERMANY.' By 1963, the marking changed to a single vertical ricasso stamp of 'STAINLESS' with the Solingen logo etched horizontally where the Orlando stamp normally resided, often with a single 'S' etched in too.
Vietnam war Era Solingen Stainless Stamp
RMK LOGO Stamp Letter Spacing Pre-1973
From the earliest, the Randall stamp on the blade remained seemingly unchanged. The 'O' in Orlando began about a half space indented from the 'R' of Randall. The comma between ORLANDO and FLA was about half a letter high, and no space separated it from 'FLA.'.
About the mid to late 1960s, the stamp was apparently changed slightly. The comma between Orlando and FLA was reduced in height, a small space was introduced between the comma and FLA, and because of that, the 'O' of Orlando was moved more directly under the 'R' of Randall, indented only about 1/8 letter or so.
Example of the letter spacing changes on the stamp from 1950s to late 1960s
Understanding these nuances can help you better date a Randall knife and appreciate the craftsmanship and history behind each blade. By paying close attention to the steel type, blade stamps, and subtle changes over the years, you can make a more informed purchase and avoid misrepresentation. Happy collecting!
The iGuide Grading Guide provides several layers of depth to appeal to both new and advanced collectors alike. We suggest "report card" grades which we hope will help non-experts. Grading should be easy but too often for new collectors it is not. A term like MINT is vague for newbies. But grade A makes sense to anybody who has ever received a report card. The iGuide Grading Guide provides our so-called "report card" letter grades from A+ to F, as well our our 1 to 10 numeric grades (on a scale of 1 to 10) and then the standard grades used by many collector books. These grades attempt to describe preservation state. They follow rules used by collectors for years to keep things clear when buying, selling, or talking about items. Grading helps with consistency in buying, selling, and advertising. Proper grading takes a lot of experience and is more an art than a science, so we hope this guide will help you get started as you learn how to MAKE THE GRADE.
Grading for beginners
Like coins, stamps, sports cards, movie posters, and everything else that people collect, collector knives are valued according to condition. Because human beings prize things that glitter, the more like new it is, the more collectors will pay for it. Seems simple enough, right? WRONG! Because arguing about condition actually means negotiating price, buyers and sellers often have a hard time agreeing on grade. But, fortunately, standard terms exist that everyone agrees on (what those terms mean is another story). Sadly, it takes years of looking at thousands of variations before you can truly become a knowledgeable grader. So how do you know what grade it is in if you are new at making the grade? Let me suggest that you start simple and then hone in on the final grade.
First let's look at some general terms that could be used to describe the condition of these things, then we'll cover some specialized terms that dealers and collectors use.
PERFECT
We all know what this is, something in brand new condition. A brand new knife that has never been used is probably in PERFECT, like-new condition. The term for perfect condition is MINT. Although some dealers will try to convince you that 30 or 40 year old knives are not graded as strictly as newer ones, I would not believe it if I were you. When it comes to PERFECT, new is new, period.
ABOVE AVERAGE
If someone bought a knife, handled it carefully once or twice, and then carefully filed it away, it is in ABOVE AVERAGE condition. We refer to knives in above average condition as NEAR MINT (abbreviated NM).
AVERAGE
The term collectors use to describe AVERAGE condition is VERY GOOD (or VG for short). Since knives were meant to be used and carried, those that have been handled are in average condition. Minor scratches, wear, pin cracks — these are flawsthat are typical from normal use and is both common and acceptable in an AVERAGE USED knife.
BELOW AVERAGE
Knives that you owned when you were six years old are probably in BELOW AVERAGE condition because you probably beat the @@#$!! out of them. And they look it! The knife is still complete but with heavy blade wear and probably lots of scratches from careless storage. In other words, knives in BELOW AVERAGE condition are ROUGH! Collectors describe knives in below average condition as GOOD. Actually, there's nothing good about it other than the fact that you have a copy to keep until a better one comes along.
POOR
Better known by the technical term "crap" first coined by a dealer named Steve Geppi. A knife in poor condition looks like it was rescued from the trash can of history...and probably was. You know you have handled a poor condition knife when you rush to wash your hands afterwards. Poor means TERRIBLE...it may not even work!
Now that you know the five basic ranges of condition, it's much easier to focus in on exactly what the real grade is. Try it yourself. Take a stack and grade them. Is the first one just like the day you bought it except for a tiny spec on the blade? Then it's not PERFECT, but you could certainly say it's ABOVE AVERAGE. Put it in the ABOVE AVERAGE stack. Does the next one look carried and sharpened? Put it in the AVERAGE stack. Continue sorting into basic grades. When you are done, refer to the following detailed grading descriptions. Start at the lowest grade and work your way up. Think in terms of report grades A+ to F with AVERAGE being a C, or a 10 scale from 0 to 10, with AVERAGE being a 5. The one that sounds closest to the grade of the item in hand is the actual grade.
Now let's look at the technical grading terms collectors use to describe condition. At trade shows and on eBay you will see these grades and grade-codes used to indicate grade. Memorize them, learn what they mean, and then you can start MAKING THE GRADE like a pro.
Unused Grades
The term UNUSED refers to a knife that has never been used. It has never been sharpened, carried, handled and is in unused condition. The unused grades range from a perfect A+ to an unused but showing faint signs of wear from opening/closing but without sharpening (B).
Unused knives can be divided into these major grades:
A+
Mint in Box (OMP)
On a scale of 1 to 10, it is a 10.
Perfect, i.e. - in OMP (original manufacture's packaging) where applicable. Brilliant, unusually bright, LIKE NEW. Example is in brand new condition, includes the original box and all original paperwork (if applicable) included in the box at the time of original purchase. The box itself is in new to almost new condition and exhibits few if any flaws. The knife inside the box is in brand new condition and has no noticeable flaws.
A
Mint or aka M
On a scale of 1 to 10, it is a 9.
Almost like new to new. Never used, never carried, never sharpened. No cracks, no wobble, excellent snap; may be lacking the OMP (original manufacturer's packaging). Extremely fine, Superb. Example is in almost like new condition. The box itself is in excellent condition but may possess a minor flaws such as corner dings, small creases in the box or even small scratches on the box.
A-
Near Mint or NM
On a scale of 1 to 10, it is a 8.
Almost perfect. Never used, never carried, never sharpened. No cracks, no wobble, excellent snap; may be lacking the OMP (original manufacturer's packaging). Deep, rich color with excellent original patina and gloss. May exhibit one or two minor carbon spots on a backspring, bolster, or blade.
B+
Very Fine or VF
On a scale of 1 to 10, it is a 7.
An exceptional example. Acceptable to all but the most finicky collector. This is a bright, clean, extremely fine example. Never used, never carried, never sharpened. Could possibly have a pin crack (minor), but has no wobble, and has excellent blade snap; may be lacking the OMP (original manufacturer's packaging). The item may have very minor spotting but no signs of sharpening. The backspring exhibit carbon spotts or a minor scratch or two. Otherwise, the item has no major defects but may not be quite as bright as Near Mint. May or may not have original box.
B
Fine Very Fine or FVF
On a scale of 1 to 10, it is a 6.
Showing signs of storage wear. Never used, never carried, never sharpened. Could possibly have a pin crack (minor), but has no wobble, and has excellent blade snap. Although this example may or may not include the original box (if applicable, many early knives never came in a box), it also may or may not include original paperwork (if applicable) included in the box at the time of original purchase. If the box itself is present, it may not be in ideal condition The box most likely has several creases, tears, scratches, etc.
An unused Case knife with a pin crack. Pin cracks are common with Case yellow composites.
Used Grades
Knives that have been sharpened, carried, handled and played with by the children are considered USED. They have been in circulation, meaning they have been handled, fondled, admired, and carried (like they were supposed to be) sometimes for decades. As a result, they are worn to one degree or another. Collectors have established the following grades for rating just how used an item actually is:
C+
Fine or F
On a scale of 1 to 10, it is a 5.
Still fine without chips, cracks, color flakes or visible damage of any kind, but aging in a more significant amount than in the FVF grade. The knife has been carried, sharpened, handled and is obviously used. It may have a crack or pin cracks, may have a weak blade snap. Possible minor wobble may be noticeable when testing the blades.
C
Very Good or VG
On a scale of 1 to 10, it is a 4.
An average used knife. Knife has been sharpened. It has blade wobble. It has a crack or several pin cracks. It is obviously USED. The blades are worn and possibly slightly pitted, although not to an extreme degree. This example may exhibit color flake or blade crazing, or bolster/backspring scratches but is complete without major damage or repairs.
A heavily worn Case knife exhibiting blade pitting.
C-
Good to Very Good or GD/VG
On a scale of 1 to 10, it is a 3.
Very much used. Beginning to show signs of significant wear. It has blade wobble. It has a crack or several pin cracks. It has been heavily sharpened over the years.
D
Good or GD
On a scale of 1 to 10, it is a 2.
A worn, crazed, distressed example. This example is in visibly worn condition, and could have flaws which may include small scratches or surface wear. However, this does not includes broken or chipped blades or missing pieces. Typically a filler-copy only.
D-
Fair or FR
On a scale of 1 to 10, it is a 1.
The lower grades are separated by degrees of damage. The accumulation of many defects lowers the item from the D grade down to D-. This example is in used, displayed or battered condition. It has been heavily sharpened and may contain scratches, blade wear, chips, dings or even small cracks.
F
Poor or PR
On a scale of 1 to 10, it is a 0.
Extremely worn, damaged or incomplete, although such should be noted. This example is in distressed condition...
Randall Made Knives, founded by Bo Randall in 1938, is renowned for its handcrafted knives. Each model has its unique history, design, and purpose. Below is a guide to the Bowie Knife models and the years they were released.
1952
Model 12 - Bowie Knife (Smithsonian): A replica of the famous Bowie knife of a century ago. Similar to the type displayed in the Smithsonian Institution and used in the motion picture The Iron Mistress.
Model 12 - Bowie Knife (Confederate): Similar to the Bowie carried by Confederate troops in the Civil War. 1953
Model 13 - Arkansas Toothpick: A replica of the historic stiletto-dagger famous in Confederate days. 1954
Model 12 - Bowie Knife (Sportsman): The Sportsman Bowie is made to meet the demands of a heavy-duty sporting knife. 1956
Model 12 - Bowie Knife (Raymond Thorp): Modeled after a design furnished by Raymond W. Thorp, author of The Bowie Knife. Probably the most nearly authentic Bowie style.
Model 12 - Bowie Knife (6-inch Sportsman): A smaller Bowie-type knife for sporting uses. 1960
Model 13 - Arkansas Toothpick (6-inch version): A more compact version of the Arkansas Toothpick. 1964
Model 12 - Bowie Knife (Big Bear): Designed on special order for a big game sportsman who planned to use it for hunting. 1967
Model 12 - Bowie Knife (Little Bear): A more compact 6-inch version of the Big Bear Bowie.
1943 Heiser Sheath
10 dots → 1970
10 dots → 1980
19 USA 90 1990 → date stamped
7 dots → 1993
5 x 5 dots → 2000
5 x 5 dots → 2010
NOTE: We've seen all block letters on the tang (exactly like the 1970s) and also tangs with block letters and a lightning S. The main feature of the 2020s is they are reusing the old dot style from the 1970s.
